110. Shakespeare, Tchaikovsky, and how great art knows no borders. Tchaikovsky, The Tempest

Shakespeare reaches people across the world with his insights into our shared humanity and his plays have inspired countless composers to write music – providing their own way for us to connect to Shakespeare, each other and ourselves. Tchaikovsky’s The Tempest overture gives us a torrential storm, a big love theme that beats Romeo & Juliet, and one of the most atmospheric, goose-bump-inducing beginning and end to any piece of music. And almost no one knows it at all! Listening time 33 mins… Listen

107. Made in America: Florence Price, Symphony No.1

Individual, passionate, soulful music rooted in the southern states, Florence Price’s Symphony No.1 was the first by a black woman composer to be played by a major US orchestra back in the 1930s. A Moment of History, but those ‘twin handicaps’ [her words] meant that her music has hardly been played since and we’ve been missing out on great music from a distinctive voice – it’s time to put that right! (Listening time 47 mins: podcast 8′, music 39′)… Listen

98. Searching for answers and getting Marmite: Bruckner, Symphony no.3

It’s inexplicable to me, but Anton Bruckner’s music has been dividing opinion since he started writing it 140 or so years ago. He goes in search of the meaning of life and comes back with… Marmite! Personally, I love it. There are few better noises than the transcendental climax of a Bruckner symphony. In this episode, it’s the thrilling end of his 3rd. (Listening time 20 mins)… Listen

95. A dying woman’s cry from the abyss: Boulanger, Psalm 130

Powerful and moving, Lili Boulanger’s cry From the Bottom of the Abyss (Psalm No.130) shows her deep commitment to her faith, and to her music-writing, in the face of illness. Diana Ambache, long-time champion of women composers, joins me to talk about Boulanger’s short life, major talent and this subtle masterpiece for huge choir and orchestra. Listening time 42mins (Podcast 18′, Music 24′)… Listen