124. Heading North by Southwest with Willie Ruff: Strayhorn, Suite for The Duo

Brilliant and meaningful, North by Southwest may have been the initial name for Billy Strayhorn’s Suite for The Duo, a brilliant, late work for horn and piano: it’s a title that suggests confusion and conflicting ideas about the dying composers direction of travel. It’s a great piece: virtuosic but raw and written with a total understanding of both horn and piano and what they can do.
It’s a longer episode than normal because (amazingly) I was able to speak with Willie Ruff, the horn play for whom it was written. Willie, now in his nineties, joined me from his home in Alabama and he talked about his life and career, the Mitchell-Ruff duo, Strayhorn and how Suite for The Duo came to life. (37 mins)
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116. Uneasy listening. Scary music for modern times: Bartók, Music for strings, percussion and celesta

I’m no fan of horror films – too scary for me – but, in any case, nothing really scares us more than the thoughts in our heads! I do love scary music though and Béla Bartók wrote the best. Music for strings, percussion and celesta is unusual, gripping, terrifying and thrilling. It’s also brilliant at clearing my mind of any ‘unneccessary’ thinking. Listening time, 40 mins.… Listen

109. When personal pain becomes universal: Shostakovich String Quartet No.8

How is it that when an artist shares their pain we can all feel it? And how does listening to music full of suffering make us feel better? I don’t know how or why, but I know that it does. Dmitri Shostakovich knew all about war, loss, and suffering. His 8th string quartet is desperate but defiant and deeply moving, bleak but often beautiful and whilst it doesn’t provide any answers it somehow gives consolation to us all. Listening time 28 mins… Listen