Family friendly | Just-is-ness | meditative | Music

124. Heading North by Southwest with Willie Ruff: Strayhorn, Suite for The Duo

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Brilliant and meaningful, North by Southwest may have been the initial name for Billy Strayhorn’s Suite for The Duo, a brilliant, late work for horn and piano: it’s a title that suggests confusion and conflicting ideas about the dying composers direction of travel. It’s a great piece: virtuosic but raw and written with a total understanding of both horn and piano and what they can do.
It’s a longer episode than normal because (amazingly) I was able to speak with Willie Ruff, the horn play for whom it was written. Willie, now in his nineties, joined me from his home in Alabama and he talked about his life and career, the Mitchell-Ruff duo, Strayhorn and how Suite for The Duo came to life. (37 mins)
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Just-is-ness

116. Uneasy listening. Scary music for modern times: Bartók, Music for strings, percussion and celesta

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I’m no fan of horror films – too scary for me – but, in any case, nothing really scares us more than the thoughts in our heads! I do love scary music though and Béla Bartók wrote the best. Music for strings, percussion and celesta is unusual, gripping, terrifying and thrilling. It’s also brilliant at clearing my mind of any ‘unneccessary’ thinking. Listening time, 40 mins.… Listen
Family friendly | Fun | Joyful | Just-is-ness | Symphony

115. A superstar symphony, but not a miracle: Haydn, Symphony No.96

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n Haydn came to London he was treated like a superstar: wined and dined by the great and good, and his concerts were the hottest ticket in town. The ‘Miracle’ Symphony, no.96, was Haydn’s first written for Londoners and is designed to win us over with its charms. Music to put a smile on our faces and a spring in our step! Listening time c32 (music 22′, podcast 10′)… Listen
Family friendly | Just-is-ness

110. Shakespeare, Tchaikovsky, and how great art knows no borders. Tchaikovsky, The Tempest

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Shakespeare reaches people across the world with his insights into our shared humanity and his plays have inspired countless composers to write music – providing their own way for us to connect to Shakespeare, each other and ourselves. Tchaikovsky’s The Tempest overture gives us a torrential storm, a big love theme that beats Romeo & Juliet, and one of the most atmospheric, goose-bump-inducing beginning and end to any piece of music. And almost no one knows it at all! Listening time 33 mins… Listen